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biographical picture

  • 1 biopic

    bi.o.pic
    [b'aioupik] n abbr biographical picture (filme biográfico).

    English-Portuguese dictionary > biopic

  • 2 profile

    noun
    1) (side aspect) Profil, das

    in profile — im Profil

    2) (representation) Profilbild, das; (outline) Umriss, der
    3) (biographical sketch) Porträt, das (of, on Gen.)
    4) (fig.)

    keep or maintain a low profile — sich zurückhalten

    * * *
    (the view of a face, head etc from the side; a side view: She has a beautiful profile.) das Profil
    * * *
    pro·file
    [ˈprəʊfaɪl, AM ˈproʊ-]
    I. n
    1. (side view) Profil nt
    to draw/photograph sb in \profile jdn im Profil zeichnen/fotografieren
    2. (description) Porträt nt fig; (restricted in scope) Profil nt
    3. (public image)
    to raise sb's \profile jdn hervorheben
    to raise sth's \profile etw bewusst[er] machen
    to raise an issue's \profile with the public eine Thematik in der Öffentlichkeit stärker bewusst machen
    to be in a high-\profile position eine bedeutende Position innehaben
    4.
    ▶ to keep a low \profile sich akk zurückhalten [o bedeckt halten
    II. vt
    ▪ to \profile sb
    1. (write) jdn porträtieren fig
    2. (draw) jdn im Profil zeichnen, eine Profilzeichnung von jdm anfertigen
    * * *
    ['prəʊfaɪl]
    1. n
    Profil nt; (= picture, photograph) Profilbild nt, Seitenansicht f; (= biographical profile) Porträt nt; (TECH = section) (vertical) Längsschnitt m; (horizontal) Querschnitt m
    2. vt
    (= draw a profile of) (pictorially) im Profil darstellen; (biographically) porträtieren; (TECH) im Längs- or Querschnitt zeichnen or darstellen
    * * *
    profile [ˈprəʊfaıl]
    A s
    1. Profil n:
    a) Seitenansicht f, -bild n
    b) Umriss(linien) m(pl), Kontur f:
    in profile im Profil;
    keep a low profile fig sich zurückhalten
    2. auch ARCH, TECH Profil n, Längsschnitt m, ( besonders senkrechter) Durchschnitt
    3. Querschnitt m (auch fig)
    4. Kurzporträt n
    5. (historische etc) Skizze
    6. (besonders Persönlichkeits-, Leistungs) Diagramm n, (Täter) Profil n
    B v/t
    1. im Profil darstellen, profilieren
    2. TECH im Quer- oder Längsschnitt zeichnen
    3. TECH
    a) profilieren, fassonieren
    b) kopierfräsen
    4. fig ein Kurzporträt schreiben über (akk)
    * * *
    noun
    1) (side aspect) Profil, das
    2) (representation) Profilbild, das; (outline) Umriss, der
    3) (biographical sketch) Porträt, das (of, on Gen.)
    4) (fig.)

    keep or maintain a low profile — sich zurückhalten

    * * *
    n.
    Profil -e n.
    Querschnitt m.

    English-german dictionary > profile

  • 3 Bibliografia

       ■ ADAMS, Les, y RAYNEY, Buck. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.
       ■ ANDERSON, Lindsay. About John Ford. Londres: Plexus, 1981.
       ■ ARESTE, Jose Maria. Pero….donde esta Willy? En busca de William Wyler. Madrid: Rialp, 1998.
       ■ ASTRE, Georges-Albert, y HOARAU, Albert Patrick. Univers du western. Paris: Seghers, 1973.
       ■ BELLIDO LOPEZ, Adolfo y NUNEZ SABIN, Pedro. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.
       ■ BINH, N.T. Joseph L. Mankiewicz. Madrid: Catedra, 1994.
       ■ BOGDANOVICH, Peter (entrevistador). John Ford. Madrid: Fundamentos, 1983.
       ■ BOGDANOVICH, Peter. Fritz Lang en America. Madrid: Fundamentos, 1984.
       ■ BOUINEAU, Jean-Marc, CHARLOT, Alain, y FRIMBOIS, Jean-Pierre. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.
       ■ BOURGET, Jean-Loup. John Ford. Paris: Rivages, 1990.
       ■ BOURGOIN, Stephane. Roger Corman.Paris: Edilig, 1983.
       ■ BOURGOIN, Stephane. Richard Fleischer. Paris: Edilig, 1986.
       ■ BOURGOIN, Stephane y MERIGEAU, Pascal. Serie B. Paris: Edilig, 1983.
       ■ BRANSON, Clark. Howard Hawks. A Jungian Study. Santa Barbara: Capa Press, 1987.
       ■ BRION, Patrick. Richard Brooks. Paris: Chene, 1986.
       ■ BUSCOMBE, Edward (ed.). The BFI Companion to the Western. London: Andre Deutsch/BFI Publishing, 1988.
       ■ BUSCOMBE, Edward. Stagecoach. Londres, BFI, 1992.
       ■ CASAS, Quim. El western. El genero americano. Barcelona: Paidos, 1994.
       ■ CASAS, Quim. John Ford. El arte y la leyenda. Barcelona: Dirigido por, 1989.
       ■ CASAS, Quim. Howard Hawks. La comedia de la vida. Barcelona: Dirigido por, 1998.
       ■ CASAS, Quim. Fritz Lang. Madrid: Catedra, 1991.
       ■ CHARLOT, Alain, FRIMBOIS, Jean-Pierre, y BOUINEAU, Jean-Marc. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.
       ■ CIMENT, Gilles (director). John Huston. Paris: Positif-Rivages, 1988.
       ■ CIMENT, Michel (entrevistador). Elia Kazan por Elia Kazan. Madrid: Fundamentos, 1987.
       COCCHI, John. The Westerns. A Picture Quiz Book. New York: Dover, 1976.
       COMA, Javier. Diccionario del western clasico. Barcelona: Plaza y Janes, 1992.
       COMAS, Angel. Lo esencial de Anthony Mann. Madrid: T & B, 2004.
       CORMAN, Roger (con Jim Jerome). How I Made a Hundred Movies in Hollywood and Never Lost a Dime. New York: Random House, 1990.
       CUEVAS, Efren. Elia Kazan. Madrid: Catedra, 2000.
       DIXON, Wheeler W. The “B” Directors. A Biographical Directory. Metuchen, New Jersey: The Scarecrow Press, 1985.
       DUMONT, Herve. Robert Siodmak. El maestro del cine negro. Madrid-San sebastian: Filmoteca Espanola, 1987.
       DUMONT, Herve. William Dieterle. Antifascismo y compromiso romantico. San Sebastian-Madrid: Filmoteca Espanola, 1994.
       DURGNAT, Raymond, y SIMMON, Scott. King Vidor, American. Berkeley: University of California Press, 1988.
       EDWARDS, Anne. The De Milles. An American Family. New York: Harry N. Abrams, 1988.
       ERICE, Victor y OLIVER, Jos. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.
       FAGEN, Herb. The Encyclopedia of Westerns. Facts on File, 2003.
       FERNANDEZ-SANTOS, Angel. Mas alla del Oeste. Madrid: Ed. El Pais, 1988.
       FETROW, Alan G. Sound Films, 1927-1939. A United States Filmography. Jefferson, North Carolina: McFarland, 1992.
       FINLEY, Joel W. The Movie Directors Story. Londres: Octopus, 1985.
       FRENCH, Philip. Westerns. Aspects of a Movie Genre. New York: The Viking Press, 1973.
       FRIMBOIS, Jean-Pierre, BOUINEAU, Jean-Marc, y CHARLOT, Alain. Les 100 chefs d’oeuvre du western. Alleur (Belgique): Marabout, 1989.
       GALLAGHER, Tag. John Ford. The Man and His Films. Berkeley: University of California Press, 1986.
       GARFIELD, Brian. Western Films. A Complete Guide. New York: Da Capo, 1982.
       GEIST, Kenneth L. Pictures Will Talk. The Life & Films of Joseph L. Mankiewicz. New York: Scribner, 1978.
       GIULIANI, Pierre. Raoul Walsh. Paris: Edilig, 1986.
       GRIVEL, Daniele, y LACOURBE, Roland. Robert Wise. Paris: Edilig, 1985.
       HARDY, Phil. The Western. London: Aurum Press, Revised Edition, 1991.
       HAUSTRATE, Gaston. Arthur Penn. La vida se mueve. Valladolid: 39 Semana Internacional de Cine, 1994.
       HENRIET, G, y MAUDUY, J. Geographies du western. Une nation en marche. Paris: Nathan, 1989.
       HEREDERO, Carlos F. Sam Peckinpah. Madrid: Ediciones JC, 1982.
       HILLIER, Jim y WOLLEN, Peter (editores). Howard Hawks. American Artist. Londres: BFI, 1996.
       HITT, Jim. The American West from Fiction (1823-1976) into Film (1909-1986). Jefferson, North Carolina: McFarland, 1990.
       HOARAU, Albert-Patrick, y ASTRE, Georges-Albert. Univers du western. Paris: Seghers, 1973.
       HOLLAND, Ted. B Western Actors Encyclopedia. Facts, Photos and Filmographies for More than 250 Familiar Faces. Jefferson, North Carolina: McFarland, 1989.
       HURTADO, Jose A y LOSILLA, Carlos. Richard Fleischer, entre el cielo y el infierno..Valencia: Filmoteca de la Generalitat Valenciana, 1997.
       HUSTON, John. A libro abierto. Madrid: Espasa Calpe, 1986.
       JENSEN, Paul M. Fritz Lang. Madrid: JC, 1990.
       KAZAN, Elia. Mi vida. Madrid: Temas de Hoy, 1990.
       LACOURBE, Roland, y GRIVEL, Daniele. Robert Wise. Paris: Edilig, 1985.
       LARDIN, Ruben. Sam Peckinpah. Hermano perro. Valencia: Midons, 1988.
       LEEMAN, Sergio. Robert Wise on His Films. Los Angeles: Silman-James, 1995.
       LEUTRAT, Jean-Louis. Le Western. Archeologie d’un genre. Lyon: Presses Universitaires de Lyon, 1987.
       LEUTRAT, Jean-Louis. L’Alliance brisee. Le Western des annees 1920. Lyon: Presses Universitaires de Lyon, 1985.
       LEUTRAT, Jean-Louis. John Ford. La Prisonniere du desert. Paris: Adam Biro, 1990.
       LEUTRAT, J.-L., y LIANDRAT-GUIGUES, S. Les Cartes de l’ouest. Un genre cinematographique: le western. Paris: Armand Colin, 1990.
       LIANDRAT-GUIGUES, S, y LEUTRAT, J.-L. Les Cartes de l’ouest. Un genre cinematographique. Le western. Paris: Armand Colin, 1990.
       LOSILLA, Carlos y HURTADO, Jose A. Richard Fleischer, entre el cielo y el infierno. Valencia: Filmoteca de la Generalitat Valenciana, 1997.
       MAUDUY, J, y HENRIET, G. Geographies du western. Une nation en marche. Paris: Nathan, 1989.
       McBRIDE, Joseph y WILMINGTON, Michael. John Ford. Madrid: JC, 1984.
       McBRIDE, Joseph (entrevistador). Hawks segun Hawks. Madrid: Akal, 1988.
       McCARTY, John. The Films of John Huston. Secaucus: Citadel, 1987.
       McGEE, Mark Thomas. Roger Corman. The Best of the Cheap Acts. Jefferson: McFarland, 1988.
       McGOWAN, John J. J.P. McGowan. Biography of a Hollywood Pioneer. Jefferson, North Carolina: McFarland, 2005.
       MEMBA, Javier. La serie B. Madrid: T & B, 2006.
       MENDEZ-LEITE VON HAFE, Fernando. Fritz Lang. Barcelona: Daimon, 1980.
       MERIDA, Pablo. Michael Curtiz. Madrid: Catedra, 1996.
       MERIGEAU, Pascal y BOURGOIN, Stephane. Serie B. Paris: Edilig, 1983.
       MERIKAETXEBARRIA, Anton. Raoul Walsh…a lo largo del sendero. San Sebastian: Ttarttalo, 1996.
       NASH, Jay Robert, y ROSS, Stanley Ralph. The Motion Picture Guide. 1927-1983. Cinebooks, 1985
       NUNEZ SABIN, Pedro y BELLIDO LOPEZ, Adolfo. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.
       OKUDA, Ted. Grand National, Producers Releasing Company, and Screen Guild/Lippert. Complete Filmographies with Studio Histories. Jefferson, North Carolina: McFarland, 1989.
       OLIVER, Jos y ERICE, Victor. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.
       PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.
       PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.
       PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.
       PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.
       PLACE, J.A. The Western Films of John Ford. Secaucus: Citadel, 1974.
       PLACE, J.A. The Non-Western Films of John Ford. Secaucus: Citadel, 1979.
       RAINEY, Buck, y ADAMS, Les. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.
       REEMES, Dana M. Directed by Jack Arnold. Jefferson: McFarland, 1988.
       RIEUPEYROUT, Jean-Louis. La grande aventure du western. Du Far West a Hollywood (1894-1963). Paris: Ed, du Cerf, 1964.
       ROMERO GUILLEN, Maria Dolores. Las mujeres en el cine americano de Fritz Lang. Zaragoza: Mira, 2000.
       ROOS, Stanley Ralph, y NASH, Jay Robert. The Motion Picture Guide. 1927-1983. Cinebooks, 1985.
       SANCHEZ BIOSCA, Vicente (coordinador). Mas alla de la duda. El cine de Fritz Lang. Valencia: Universitat de Valencia,1992.
       SIEGEL, Don. A Siegel Film. An Autobiopraphy. London: Faber and Faber, 1993.
       SIMMON, Scott, y DURGNAT, Raymond. King Vidor, American. Berkeley: University of California Press, 1988.
       SIMMONS, Garner. Peckinpah. A Portrait in Montage. Austin: University of Texas Press, 1982.
       STOWELL, Peter. John Ford. Boston: Twayne, 1986.
       TCHERNIA, Pierre. 80 grands succes du Western. Casterman, 1989.
       THOMPSON, Frank T. William A. Wellman. San Sebastian: Filmoteca Espanola, 1993.
       URKIJO, Francisco javier. Sam Peckinpah. Madrid: Catedra, 1995.
       VARIOS. John Ford. Madrid: Fimoteca espanola, 1991.
       VARIOS. King Vidor. San Sebastian: Nosferatu, n. 31, 2004.
       VARIOS. Sam Fuller. San Sebastian: Nosferatu, n. 12, 1993.
       VARIOS. Jacques Tourneur. Paris: Camera/Stylo, 1986.
       VEILLON, Olivier-Rene. Le cinema americain. Les annees trente. Paris: Du Seuil, 1986.
       VEILLON, Olivier-Rene. Le cinema americain. Les annees cinquante. Paris: Du Seuil, 1984.
       VEILLON, Olivier-Rene. Le cinema americain. Les annees quatre-vingt. Paris: Du Seuil, 1988.
       WALSH, Raoul. Un demi-siecle a Hollywood. Memoires d’un cineaste. Paris: Calmann-Levy, 1976)
       WILMINGTON, Michael y McBRIDE, Joseph. John Ford. Madrid: JC, 1984.
       WOLLEN, Peter y HILLIER, Jim (editores). Howard Hawks. American Artist. Londres: BFI, 1996.
       WOOD, Robin. Howard Hawks. Madrid: JC, 1982.
       ZINNEMANN, Fred. A Life in the Movies. New York: Scribner, 1992.
       ZUMALDE, Imanol. Paisajes del odio. El dispositivo espacial de Centauros del desierto. Valencia: Universitat de Valencia, 1995.

    English-Spanish dictionary of western films > Bibliografia

  • 4 Chrétien, Henri Jacques

    [br]
    b. 1879 Paris, France
    d. 7 February 1956 Washington, USA
    [br]
    French astrophysicist, inventor of the anamorphoser, which became the basis of the Cinemascope motion picture system.
    [br]
    Chrétien studied science, and after obtaining his bachelors degree he started his working life at Meudon Observatory. He married in 1910, the same year as he was appointed Head of Astrophysics at Nice. In 1917 he helped to found the Institut d'Optique in Paris. Chrétien became Professor of astrophysics at the Sorbonne and in 1927, as part of his work on optical systems, demonstrated the use of an anamorphic lens for wide-screen motion pictures. Although the system was demonstrated in Washington as early as 1928 and again at the Paris International Exposition of 1937, it was not until 1952 that Twentieth-Century Fox were able to complete purchase of the patents which became the basis of their Cinemascope system. Cinemascope was one of the most successful technical innovations introduced by film studios in the early 1950s as part of their attempts to combat competition from television. The first Cinemascope epic, The Robe, shown in 1953, was an outstanding commercial success, and a series of similarly spectacular productions followed.
    [br]
    Further Reading
    R.Kingslake, 1989, A History of the Photographic Lens, Boston (biographical information and technical details of the anamorphic lens).
    JW

    Biographical history of technology > Chrétien, Henri Jacques

  • 5 биографический фильм

    1) Colloquial: biopic

    Универсальный русско-английский словарь > биографический фильм

  • 6 film

    m (G filmu) 1. (w kinie) film, movie US
    - filmy dla dzieci children’s films
    - film tylko dla dorosłych an adult a. adults only film
    - film o ptakach a film about birds
    - oglądać film w telewizji to watch a film on TV
    - nakręcić film to shoot a. make a film
    - występować w filmie to appear in a film
    - jego ostatni film właśnie wchodzi na ekrany his latest film has just been released
    - prawie we wszystkich kinach grają teraz filmy sensacyjne thrillers are playing in almost every cinema at the moment
    - pójść do kina na film to go to (see) a film
    - zaprosić kogoś na film to invite sb to the cinema
    2. sgt (kinematografia) the cinema, the movies US, film U
    - francuska szkoła filmu French cinema
    - interesować się filmem to be interested in film a. (the) cinema
    3. (klisza) film U
    - włożyć nowy film do aparatu to put a new roll of film in(to) one’s camera
    - rolka filmu a roll of film
    - oddać film do wywołania to have some film developed
    - film barwny colour film
    - film negatywowy (photographic) film
    4. (taśma filmowa) film
    - film się zerwał w połowie pokazu the film broke in the middle of the screening
    5. (warstwa ochrona) film
    - ścianki rury pokryte są cienkim filmem the pipe is coated inside with a thin film
    - □ film akcji Kino action film
    - film autorski Kino auteur(ist) film
    - film biograficzny Kino biographical film, biopic GB pot.
    - film długometrażowy a. pełnometrażowy Kino feature-length film, full-length feature (film)
    - film dokumentalny Kino documentary
    - film drogi Kino road film
    - film dźwiękowy Kino sound film; talkie pot.
    - film edukacyjny Kino educational film
    - film epicki Kino epic (film)
    - film fabularny feature (film)
    - film fantastyczny a. fantastycznonaukowy Kino science fiction film
    - film grozy Kino horror (film)
    - film historyczny Kino historical film
    - film kostiumowy Kino costume drama
    - film krótkometrażowy Kino short (subject)
    - film kryminalny Kino detective a. gangster film
    - film muzyczny Kino musical film
    - film niemy Kino silent (film)
    - film nowelowy Kino episodic film
    - film paradokumentalny Kino semidocumentary (film)
    - film płaszcza i szpady Kino costume adventure (film)
    - film przygodowy Kino adventure film
    - film przyrodniczy Kino documentary a. nature film
    - film rodzinny Kino family film
    - film stereoskopowy Fot. stereoscopic film
    - film telewizyjny Kino film made for television
    - film średniometrażowy Kino medium-length film
    ■ film mu/mi się urwał pot. he/I got completely a. totally blotto
    * * *
    - mu; -my; loc sg - mie; m
    film; ( fabularny) (feature) film; ( dokumentalny) documentary (film); ( kinematografia) film (BRIT) lub movie (US) industry

    film animowany lub rysunkowy — (animated) cartoon

    nakręcić ( perf) film — to shoot lub make a film

    * * *
    mi
    1. ( utwór kinematograficzny) movie, film, motion picture; film fabularny feature film; film dźwiękowy movie with sound; film niemy silent film; film pełnometrażowy (full-length) feature film; film krótkometrażowy short film; film kostiumowy costume drama; film dokumentalny documentary (film); film reklamowy promotional film, infomercial; film rysunkowy (animated) cartoon, animated film; film panoramiczny wide-screen film; film animowany animated film; nakręcić film make l. shoot a film; (= kinematografia) film, cinematography; pot. the movies; szkoła filmu film school.
    2. fot. (= taśma, błona) film; film barwny/kolorowy color film; film czarno-biały black and white film; prześwietlić film expose film; film się komuś urwał pot. sb blacked out.

    The New English-Polish, Polish-English Kościuszko foundation dictionary > film

  • 7 Gabor, Dennis (Dénes)

    [br]
    b. 5 June 1900 Budapest, Hungary
    d. 9 February 1979 London, England
    [br]
    Hungarian (naturalized British) physicist, inventor of holography.
    [br]
    Gabor became interested in physics at an early age. Called up for military service in 1918, he was soon released when the First World War came to an end. He then began a mechanical engineering course at the Budapest Technical University, but a further order to register for military service prompted him to flee in 1920 to Germany, where he completed his studies at Berlin Technical University. He was awarded a Diploma in Engineering in 1924 and a Doctorate in Electrical Engineering in 1927. He then went on to work in the physics laboratory of Siemens \& Halske. He returned to Hungary in 1933 and developed a new kind of fluorescent lamp called the plasma lamp. Failing to find a market for this device, Gabor made the decision to abandon his homeland and emigrate to England. There he joined British Thompson-Houston (BTH) in 1934 and married a colleague from the company in 1936. Gabor was also unsuccessful in his attempts to develop the plasma lamp in England, and by 1937 he had begun to work in the field of electron optics. His work was interrupted by the outbreak of war in 1939, although as he was not yet a British subject he was barred from making any significant contribution to the British war effort. It was only when the war was near its end that he was able to return to electron optics and begin the work that led to the invention of holography. The theory was developed during 1947 and 1948; Gabor went on to demonstrate that the theories worked, although it was not until the invention of the laser in 1960 that the full potential of his invention could be appreciated. He coined the term "hologram" from the Greek holos, meaning complete, and gram, meaning written. The three-dimensional images have since found many applications in various fields, including map making, medical imaging, computing, information technology, art and advertising. Gabor left BTH to become an associate professor at the Imperial College of Science and Technology in 1949, a position he held until his retirement in 1967. In 1971 he was awarded the Nobel Prize for Physics for his work on holography.
    [br]
    Principal Honours and Distinctions
    Royal Society Rumford Medal 1968. Franklin Institute Michelson Medal 1968. CBE 1970. Nobel Prize for Physics 1971.
    Bibliography
    1948. "A new microscopic principle", Nature 161:777 (Gabor's earliest publication on holography).
    1949. "Microscopy by reconstructed wavefronts", Proceedings of the Royal Society A197: 454–87.
    1951, "Microscopy by reconstructed wavefronts II", Proc. Phys. Soc. B, 64:449–69. 1966, "Holography or the “Whole Picture”", New Scientist 29:74–8 (an interesting account written after laser beams were used to produce optical holograms).
    Further Reading
    T.E.Allibone, 1980, contribution to Biographical Memoirs of Fellows of the Royal Society 26: 107–47 (a full account of Gabor's life and work).
    JW

    Biographical history of technology > Gabor, Dennis (Dénes)

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